{"id":10614,"date":"2019-08-12T15:04:23","date_gmt":"2019-08-12T15:04:23","guid":{"rendered":"http:\/\/www.orbit-rri.org\/ears\/?post_type=encyclopedia&#038;p=10614"},"modified":"2019-08-12T15:04:23","modified_gmt":"2019-08-12T15:04:23","slug":"listening","status":"publish","type":"encyclopedia","link":"https:\/\/ears2.eu\/sv\/encyclopediasv\/listening","title":{"rendered":"Listening"},"content":{"rendered":"<p>Attention focused upon sounds. On this website you will come across a few different types of listening:<\/p>\n<ul>\n<li><a href=\"https:\/\/ears2.eu\/sv\/encyclopediasv\/contextual-listening\" target=\"_self\" title=\"Listening for the purpose of identifying and gaining information about a sound&rsquo;s source. It is the opposite of Musical Listening. (also known as causal listening). Contextual Listening This is a listening strategy in which attention is being given to the relationships between specific sounds and the real or imagined contexts in which they are taking&hellip;\" class=\"encyclopedia\">Contextual Listening<\/a>,<\/li>\n<li><a href=\"https:\/\/ears2.eu\/sv\/encyclopediasv\/heightened-listening\" target=\"_self\" title=\"A focused and attentive approach to sounds in which the listener focuses upon the details of sounds, perhaps free from the source bonded associations.\" class=\"encyclopedia\">Heightened Listening<\/a>,<\/li>\n<li><a href=\"https:\/\/ears2.eu\/sv\/encyclopediasv\/passive-listening\" target=\"_self\" title=\"A type of listening in you recognise that sounds are occurring, but do not pay attention to them.\" class=\"encyclopedia\">Passive Listening<\/a> and<\/li>\n<li><a href=\"https:\/\/ears2.eu\/sv\/encyclopediasv\/musical-listening\" target=\"_self\" title=\"Listening to sounds in terms of their own sonic and musical characteristics. It is the opposite of&nbsp;Contextual listening. Musical Listening focuses on the nature of sounds, to their musical relationships without reference to their source or cause. This term is often used in conjunction with Reduced Listening.\" class=\"encyclopedia\">Musical Listening<\/a>.<\/li>\n<\/ul>\n<p><a href=\"https:\/\/ears2.eu\/sv\/encyclopediasv\/schaeffer-pierre\" target=\"_self\" title=\"Pierre Schaeffer worked as a radio technician for the French national radio and whilst working there began to experiment with recorded sounds. In 1946 he convinced the radio station to develop a studio and research group to properly investigate recorded sounds. This group later became the&nbsp;GRM (Musical Research Group). He made his first solo compositions&hellip;\" class=\"encyclopedia\">Pierre Schaeffer<\/a> was the first personal to identify that we listen to different sounds in different ways. Often when we hear we listen out for the source of the sound, the object or process that is causing the sound. Such listening would be described as <a href=\"https:\/\/ears2.eu\/sv\/encyclopediasv\/contextual-listening\" target=\"_self\" title=\"Listening for the purpose of identifying and gaining information about a sound&rsquo;s source. It is the opposite of Musical Listening. (also known as causal listening). Contextual Listening This is a listening strategy in which attention is being given to the relationships between specific sounds and the real or imagined contexts in which they are taking&hellip;\" class=\"encyclopedia\">contextual listening<\/a>. Sometimes we listen to sounds and focus upon the sounds themselves independent from their source, this is <a href=\"https:\/\/ears2.eu\/sv\/encyclopediasv\/heightened-listening\" target=\"_self\" title=\"A focused and attentive approach to sounds in which the listener focuses upon the details of sounds, perhaps free from the source bonded associations.\" class=\"encyclopedia\">heightened listening<\/a>. Sometimes we listen to the sounds themselves and their inner musical (<a href=\"https:\/\/ears2.eu\/sv\/encyclopediasv\/pitch\" target=\"_self\" title=\"Pitch as Property The relative height of a sound, ranging from low to high. A pitched sound will contain relatively focused spectral energy, and it is this characteristic that enables pitched sounds to be distinguished from noisy sounds (see&nbsp;Noise). Pitch as Sound Type Objects that vibrate in a more ordered fashion produce sounds that we&hellip;\" class=\"encyclopedia\">pitch<\/a> and <a href=\"https:\/\/ears2.eu\/sv\/encyclopediasv\/timbre\" target=\"_self\" title=\"The colour or quality of a sound. It is used as a term to describe all of the properties of sounds that cannot be described using other terms (such as pitch, duration, etc.) Timbre is a result of the combination of all of the sound&rsquo;s properties and therefore cannot be broken down or simplified in&hellip;\" class=\"encyclopedia\">timbre<\/a>) characteristics, free from contextual associations, this is <a href=\"https:\/\/ears2.eu\/sv\/encyclopediasv\/musical-listening\" target=\"_self\" title=\"Listening to sounds in terms of their own sonic and musical characteristics. It is the opposite of&nbsp;Contextual listening. Musical Listening focuses on the nature of sounds, to their musical relationships without reference to their source or cause. This term is often used in conjunction with Reduced Listening.\" class=\"encyclopedia\">Musical listening<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Attention focused upon sounds. On this website you will come across a few different types of listening: Contextual Listening, Heightened Listening, Passive Listening and Musical Listening. Pierre Schaeffer was the first personal to identify that we listen to different sounds in different ways. Often when we hear we listen out for the source of the [&hellip;]<\/p>\n","protected":false},"author":8389,"template":"","encyclopedia-tag":[],"class_list":["post-10614","encyclopedia","type-encyclopedia","status-publish","hentry","entry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Listening - EARS 2<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ears2.eu\/encyclopedia\/listening\" \/>\n<meta property=\"og:locale\" content=\"sv_SE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Listening - EARS 2\" \/>\n<meta property=\"og:description\" content=\"Attention focused upon sounds. On this website you will come across a few different types of listening: Contextual Listening, Heightened Listening, Passive Listening and Musical Listening. Pierre Schaeffer was the first personal to identify that we listen to different sounds in different ways. 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On this website you will come across a few different types of listening: Contextual Listening, Heightened Listening, Passive Listening and Musical Listening. Pierre Schaeffer was the first personal to identify that we listen to different sounds in different ways. 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