1.0EARS 2https://ears2.eu/nbadminhttps://ears2.eu/nb/archives/author/adminrich600338<blockquote class="wp-embedded-content" data-secret="nJv8wsa6UU"><a href="https://ears2.eu/nb/encyclopedianb/layering">Layering</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://ears2.eu/nb/encyclopedianb/layering/embed#?secret=nJv8wsa6UU" width="600" height="338" title="«Layering» — EARS 2" data-secret="nJv8wsa6UU" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://ears2.eu/wp-includes/js/wp-embed.min.js </script> A compositional approach in which different sound textures are placed alongside one another. It allows the listener to compare and contrast one sound texture against another, and for the composer to populate the spectral space with a diversity of sound energy. The number of different layers will affect the spectral density, with a great many […]